If you feel you must discuss information that might "spoil" things for readers, warn them first. 3 move into your analysis of the movie. Write several paragraphs discussing interesting elements of the movie that support your thesis. Discuss the acting, the direction, the cinematography, the setting, and so on, using clear, entertaining prose that keeps your readers engaged. Keep your writing clear and easy to understand. Don't use too much technical filmmaking jargon, and make your language crisp and accessible. Present both the facts and your opinion.
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Does the film seem to thesis have a message, or does it attempt to elicit a specific response or emotion from the audience? You could discuss whether or not it achieves its own goals. Does the film connect with you on a personal level? You could write a review stemming from your own feelings and weave in some personal stories to make it interesting for your readers. 2 Follow your thesis paragraph with a short plot summary. It's good to give readers an idea of what they'll be in for if they decide to see the movie you're reviewing. Give a brief summary of the plot in which you identify the main characters, describe the setting, and give a sense of the central conflict or point of the movie. Never break the number one rule of movie reviews: don't give too much away. Don't ruin the movie for your readers! When you name characters in your plot summary, list the actors' names directly afterward in parenthesis. Find a place to mention the director's name and the full movie title.
Part essay 3 Composing your review 1 Create an original thesis based on your analysis. Now that you've thoroughly studied the movie, what unique insights can you bring to the table? Come up with a thesis, a central idea to discuss and back up with your observations on the various elements of the film. Your thesis should be discussed in the first paragraph of your review. Having a thesis will take your review beyond the plot summary stage and into the realm of film criticism, which is rightfully its own art form. Ask yourself the following questions to come up with a compelling thesis for your review: does the film reflect on a current event or contemporary issue? It could be the director's way of engaging in a bigger conversation. Look for ways to relate the content of the film to the "real" world.
If the movie was filmed in a real place, was this location well-chosen? Did it work with the scenes? A soundtrack can make or break a movie, especially if the songs have a particular message or meaning to them. 4 Watch it one more time. It's impossible to fully understand a movie you've only seen one time, especially if you're pausing it often to take notes. Watch it at least once more before you compose your review. Pay attention to details you might have missed the first time around. Pick new points of focus bill this time; if you took a lot of notes on the acting the first time you watched the movie, focus on the cinematography the second time around.
Did they incorporate a montage to help build the story? And was this obstructive to the narrative or did it help it? Did they use long cuts to help accentuate an actor's acting ability or many reaction shots to show a group's reaction to an event or dialogue? If visual effects were used were the plates well chosen and were the composited effects part of a seamless experience? (Whether the effects looked realistic or not is not the jurisdiction of an editor, however, they do choose the footage to be sent off to the compositors so this could still affect the film.) Costume design. Did the clothing choices fit the style of the movie? Did they contribute to the overall tone, rather than digressing from it? Consider how the setting of the film influenced its other elements. Did it add or subtract from the experience for you?
3 Analyze the mechanics of the movie. Analyze the different components that came together in the movie as you watch. During or after your viewing, ask yourself what impression the movie left with you in these areas: Direction. Consider the director and how he or she choose to portray/explain the events in the story. If the movie was slow, or didn't include things you thought were necessary, you can attribute this to the director.
If you've seen other movies directed by the same person, compare them and determine which you like the most. What techniques were used to film the movie? What setting dsm and background elements helped to create a certain tone? Evaluate the script, including dialogue and characterization. Did you feel like the plot was inventive and unpredictable or boring and weak? Did the characters' words seem credible to you? Was the movie choppy or did it flow smoothly from scene to scene?
It might not even be "good."But the power the film find in the beauty of passing time and little, inconsequential moments - moments that could only be captured over 12 years of shooting - make linklater's latest an essential film for anyone interested in the. You can do this before or after you watch the movie, but you should definitely do it before you write the review, because you'll need to weave the facts into your review as you write. Here's what you need to know: The title of the film, and the year it came out. The names of the lead actors. 2 take notes on the movie as you watch.
Before you sit down to watch a film, get out a notepad or a laptop to take notes. Movies are long, and you can easily forget details or major plot points. Taking notes allows you to jot down little things you can return to later. Make a note every time something sticks out to you, whether it's good or bad. This could be costuming, makeup, set design, music, etc. Think about how this detail relates to the rest of the movie and what it means in the context of your review. Take note of patterns you begin to notice as the movie unfolds. Use the pause button frequently so you make sure not to miss anything, and rewind as necessary.
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The eerie silence of the desert, punctuated by the brief spells of violent, up-close-and-personal sound effects of hunter friendship and hunted, keeps you constantly on the edge of your seat." Acting: "While he's fantastic whenever he's on the move, using his cool stoicism to counteract the. Give the review some closure, usually by trying back to your opening fact. Remember, people read reviews to decide whether or not they should watch a movie. End on a sentence that tells them. Great: "In the end, even the characters of Blue ruin know how pointless their feud. But revenge, much like every taut minute of this thriller, is far too addictive to give up until the bitter end." Bad: "Much like the oft-mentioned "box of chocolates forest Gump has a couple of good little morsels. But most of the scenes, too sweet by half, should have been in the trash long before this movie was put out." okay: "Without the novel, even revolutionary concept, boyhood may not be a great movie.
Okay: "At the end of the day, snowpiercer can't decide what kind of movie it wants. The attention to patient detail in fight scenes, where every weapon, lightbulb, and slick patch of ground is accounted for, doesn't translate to an ending that seems powerful but ultimately says little of substance." 4 move beyond the obvious plot analysis. Plot is just one piece of a movie, and shouldn't dictate your entire review. Some movies don't have great or compelling plots, but that doesn't mean the movie itself is bad. Other things to focus on include: Cinematography: " Her is a world drenched in color, using bright, soft reds and oranges alongside calming whites and grays that both build, and slowly strip away, the feelings of love between the protagonists. Every frame feels like a painting worth sitting." Tone: "Despite the insane loneliness and high stakes of being stuck alone on Mars, The martian's witty script keeps humor and excitement alive in every scene. Space may be dangerous and scary, but the joy of scientific discovery is intoxicating." Music and sound: " no country for Old Men's bold decision to skip music entirely pays off in spades.
but that doesn't mean it is perfect. Ultimately, the utter awe and spectacle of space swept me through the admittedly heavy-handed plotting and dialogue." 3, write your review. This is where taking notes during the movie really pays off. No one cares about your opinion if you can't give facts that support your argument. Jordan and Octavia spencer's chemistry would carry. Fruitvale Station even if the script wasn't so good. The mid-movie prison scene in particular, where the camera never leaves their faces, show how much they can convey with nothing but their eyelids, the flashing tension of neck muscles, and a barely cracking voice. bad: jurassic World's biggest flaw, a complete lack of relatable female characters, is only further underscored by a laughably unrealistic shot of our heroine running away from a dinosaur - in heels.".
Some ideas include: Comparison to relevant event or movie: "Every day, our leaders, politicians, and pundits call for "revenge"- against isis, against rival sports teams, against other political parties. But few of them thesis understand cold, destructive, and ultimately hallow thrill of revenge as well as the characters. review in a nutshell "Despite a compelling lead performance by tom Hanks and a great soundtrack, forrest Gump never gets out of the shadow of its weak plot and questionable premise.". Context or Background Information: boyhood might be the first movie made where knowing how it was produced - slowly, over 12 years, with the same actors - is just as crucial as the movie itself." 2, give a clear, well-established opinion early. Don't leave the reader guessing whether you like the movie or not. Let them know early on, so that you can spend the rest of the time "proving" your rating. Using stars, a score out of 10 or 100, or the simple thumbs-up and thumbs-down is a quick way to give your thoughts. You then write about why you chose that rating. Great movie: "is the rare movie that succeeds on almost every level, where each character, scene, costume, and joke firing on all cylinders to make a film worth repeated viewings.
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